
Originally Posted by
Mike Buckley
Nice work, Kim. The position of the two left hooves and the low perspective are especially important details of the image.
I prefer the revised color version, not just because of the improved composition and elimination of the blue color cast but also because it retains a tad more detail than the monochrome version. With more experience and skill, you'll be able to match the detail of the color version.
Though I also use the same approach, that's only because that is the workflow that I first learned and because I am now so accustomed to using that workflow. However, Manfred, Binnur and I have had several detailed discussions about this and there is no evidence we have seen indicating that you can't go straight to the monochrome conversion before fine tuning all of the other details. There is only unsubstantiated theory about that just as there is only unsubstantiated theory that it's just as effective to go straight to the monochrome conversion; there is no right or wrong method. Keep in mind that the process of going straight to the conversion is essentially the same process the master black-and-white film photographers used. So, it's difficult to argue that it can't be used just as effectively when working with a digital image file.