I thought I'd try my hand at what I'd read about taking pictures of aircraft so this past weekend, Shaw AFB had their annual Air Expo.
OK, gotta remember to set the shutter speed to 1/100 sec for helicopters, 1/200 sec for war birds, 1/500 sec for modern prop planes, and 1/1000 for jets.
As we pull into a parking spot there are several F15E's coming in for a landing. Gotta remember to overexpose slightly and use manual mode. In trying to quickly set the camera up before the jets go past, I ended up with 3 badly overexposed images. Lesson: Figure out the potential scenarios in advance and practice configuring and testing the camera for those scenarios.
The day went badly. It was too hot, to many people in the way, too many situations I wasn't prepared to adjust for and I found it almost impossible to keep the aircraft in the frame once I zoomed to a respectable image size.
Switching between the Nikon and Canon also makes for reaching for a setting in a hurry only to find that's not where it is on this camera!
This is one of the first I played with from that shoot. These are the Geico Sky Typers 6 ship SNJ-2 (www.geicoskytypers.com). The image is way to grainy and having been just shooting jets, I forgot to reset the shutter speed. Boy, do I have a lot to learn and my respect for the CiC photographers that make this look easy has skyrocketed!
ISO 250, 1/2000 sec, F7.1 at 470mm (FFE):
In post processing, I tempered the blown highlights on the canopies, lightened the cowls, pilots heads and under the wings/stabilizers. Then I de-noised the image, sharpened, cropped to increase the flight angle and added a bit of photo pop to bring out the color:
For the P51 Mustang "Quick Silver" (www.quicksilvermustang.com) I didn't quite get the entire aircraft in the first or second picture:
So I opted for a panorama. I wasn't fond of some of the elements in the image that I didn't feel contributed but I didn't remove them with the Clone Tool. In this situation that would have not only been very time consuming but would have also been very obvious.
Because the elements in the image are essentially in horizontal layers, it was much easier to make a soft hole in the mask with a black brush and move a copy of the identical image behind it to position locations that are clear where the 'hole' was, then combine the layers with Stamp Visible (Ctl+Alt+Shift+E).
I'll post others here as I get them PP'd.