In the literature we are told how we usually perceive a white object as white in spite of the lighting conditions. Therefore, we dutifully set our camera WB preset the closest that we can to the ambient light and expect to perhaps make a final 'color correction' in post.
We are also told that a late evening shot (twilight) will not look quite right if perfectly color-corrected in post.
Today I was shooting a target on the wall to check a camera's focusing. The target was lit by a LED strip-light of the warm variety - for which I normally set Incandescent WB in-camera. After clicking on a gray area with the color-correction picker, it obligingly went gray. So far so good . . until, out of curiosity, I glanced at the wall and back at monitor and observed that wall-paneling colors were different!
Intrigued, I went back to the on-screen review image and tried various WB settings followed by the color-picker each time:
It was quite a surprise to note that the 'Shade' preset was the nearest - along with a really big color correction before the paneling on my screen looked about the same as that on the actual wall!
I'm not trying to say anything new here but was pleased to be able to illustrate one of the caveats often associated with "funny" lighting.