I am not sure but in 2006 the f/4.0 didn't exist.
My wife took this picture the day after I received the lens from Germany where the price was the lowest.
Look how the photo looks: bad treatment, car in the background, etc.
I learned something from there till now ...
Yes, it's me all right !![]()
Last edited by Dave Humphries; 26th July 2009 at 08:15 AM. Reason: fixed broken link for 2nd pic
Antonio, my images are from actual competitions during a routine performance. This is as best of a distracting background as I could do. Unfortunately there was no high points that I could shoot from to use the mat as a background. The only other choice I had was the audience which is more busy in the composition.
Do not worry, I hear it a lot. Many people do not realize how challenging sports photography is, and how much you have to really work with your environment as best as you can make do.
Last edited by Amberglass; 27th July 2009 at 11:17 PM. Reason: typo
Here's two more since you asked. If I had my choice, I would post many of my images in squares, like in the days of classic wedding albums.
Working with mixed artificial lighting (sodium and mercury vapor) is extremely challenging btw. These two images are perfect examples of fluctuating light frequencies, but bottom line is that the skin tones are correct.
Nice again David !
I know how difficult it is to shoot with different white balances...
I am sure you do have other pictures with such quality as these but with clear backgrounds.
We all hope to have a look at them some day.
Again, thank you for posting. Keep doing so.![]()
My name is Elsie, but my husband's name is David and he's not a photographer
. I shoot mostly local competitions, all the way to local Regionals. The National competitions are held in major arenas were clutter is not a problem. I shoot (but edit more artistically) mainly for the competitor's parents as a memento than for magazines and media. Also the parents like the realism and the memory of knowing where the competition took place, but I will start doing studio work of the girls very soon.
The facilities are setup for competitions only, not for photographic opportunities. Believe me when I tell you that most gyms have apparatuses all over the place, which makes my life an absolute nightmare. Such is the life of a photojournalist and sports shooter.
Last edited by Amberglass; 27th July 2009 at 08:45 PM. Reason: addition
What a mess I have made with the names !
Sorry Elsie. Just me ...![]()
No offense taken, Antonio. LOL. At first I thought you were replying to another thread and then added me to the bottom. It took me a bit before I caught on to asking myself "Who's David?"
.
I am slowly saving up for the Nikon 300 2.8 VR, with this baby I will be able to shoot into the mats, and achieve the better bokeh of backgrounds within tighter shots. The 70-200 2.8 VR is great but requires me to be closer to the mat's edges. As you know, Bohek is achieve with camera distance to subject and distance from behind subject. Since you like my work, here are some more......but you did mention in the beginning that I'm suppose to only post one image at a time.
Btw, all images were shot with ISO from 3200-6400, f2.8-4. The lighting was literally that bad at these locations.
Last edited by Amberglass; 27th July 2009 at 11:22 PM. Reason: added
Thank you, Dave. As I tell the photography students that I mentor, it's really important to do the prep work prior (series of custom wb because some lights takes longer to fully power up than others), shoot in RAW, and really understanding post processing corrections on a calibrated monitor. None of these images were Ps, just balanced corrections and cropping.
If you like, I can post some of my biggest challenge shoot this year. I called them "Putting them in the light the hard way." The gym that this particular competition was held in had natural, mercury vapor, fluorescent, and incandescent lighting all in one room.