Tabletop photography

I want to take photographs of small things so a 'tabletop studio' seems the way to go. The only thing I have managed to work out is to get a little light tent to soften shadows. But now my ignorance overwhelms me. Presently I am using two garden spotlights got cheap from the local B&Q (£8 each). First ignorance: with Lightroom I set 'tungsten' white balance and 'pop' it looks fine. So who needs 5000K lights?. Second ignorance: Light A is 5000K and light B is 5500K. Which is daylight - does it matter?

For £75.00 I can get a great continuous light which has a sort of boom to allow me to position it all over the place. This looks nice.

But maybe I should buy a flash.

If I buy a flash I'd get a Speedlite 430EX because it is half the price of the 580EX and if I really wanted to I could buy a 580 later and downgrade the 430 to a 'slave'.

I would like to put the flash on a stand that has a boom so I move it around (eg put it behind the subject) as for the continuous light. So I need a stand with a boom. Do these things have a special name?

I need a twiddly bit that goes on the top of my EOS 400D to make the flash flash when its off camera. I'm scared of getting the wrong bit here. What do I look for?

These questions may well be the wrong ones -- any help greatly appreciated.

-- Peter

PS This is certainly the best photo forum :)

Hi Peter,

I built myself something like this a while ago, but am ashamed to say I've not used it much :o My excuse is the weather improved and I've been outdoors!

I got 3 small anglepoise desklamps (£3 each from Asda) that take 40W or 60W SES bulbs, so they allow a bit of adjustment for modelling. I might get a longer reach one for toplighting later.

If you're learning lighting, as I am, I'd suggest stick with light you can see before exposure, rather than the flashes you've suggested, at least for now. One may not be enough anyway for creative lighting. Obviously flash can have a place for freezing water drops, but if you're starting with pics of stuff to sell on e-Bay for example, tungsten lamps will do fine with the correct colour temp set (as you've found).

I doubt a CT difference of 5000K to 5500K will be too troublesome, only if you try to mix flash or daylight with tungsten, or anything with a tube lamp; e.g. a compact flourescent.

I too have a light tent thingy, here's an example, click the right arrow to see an alternatively lit shot. Although it looks like I didn't use the tent on at least one of these shots.

I'm not a Canon shooter, so I'll leave advice on that kit to the many around here that are.

Good luck and do post some example shots.

Cheers,

OK, Continuous lighting to start with. I looked at the sea shell pictures - the second used the light tent I think but both used the bit of background cloth that comes with ... I have a 60mm Canon EPS macro lens which I thought would be great but it's not really because it has no depth of focus seems you have to restirct to 2 dimensions!

Thanks for your reply Dave. Very helpful.

-- Peter

Quote:

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Originally Posted by peter2108

I have a 60mm Canon EPS macro lens which I thought would be great but it's not really because it has no depth of focus seems you have to restirct to 2 dimensions!

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Peter,

I think you are saying that your 60mm EFS macro lens is not giving you much depth of field? Try an aperture around F/8 or F/16. Close-up macro shots on F/2.8 will only give you a few millimeters in focus. You might have to up the ISO to 400 or 800, or put the camera on a tripod and accept long (more than one second) exposures to let you work with smaller apertures (larger numbers).

Not sure that camera you have, but if you have a depth of preview button (bottom right of the lens if you are looking at the camera from the front) try using that as you are framing your shots. What you see through the view finder will get progressively dark as you reduce the aperture, but you will see the depth of field increase. Oh, did I say try shooting in Av (aperture priority) mode?

Hope that helps,
Graham

Hi Graham,

Yes - 'depth of field'. :confused:

I'm including a picture taken on a tripod and manual focus as an experiment. The camera is an EOS 400D 1/8th sec, f8 at about 12ins from teapot. The teapot is about 5cms from tip of spout to back of handle but placed as it is at an angle the distance from the back of the teapot (in focus) to the front (not in focus) is surely only about 10mm. In fact http://www.dofmaster.com/dofjs.html has a calculator and I just put in the values and it gives 0.25" (6.25mm).

https://www.cambridgeincolour.com/fo...p;d=1239047023

Attachment 520

Maybe I am missing something - my usual situation in these matters.

- Peter

Hi Peter,

Yes, that is actually quite a big subject for this kind of photography.

Looking at the larger image, we can now see that focus is toward the back of the subject, so most of the DoF is effectively being wasted on thin air behind the subject.
At least, that's the case at the top of frame, towards the bottom, due to downward angle of camera, the teapot lid lower edge is almost in focus too.

You could try a reshoot, focusing on something approx. 1/3 in to the plane of what you want sharpest, say the cats nearest eye. Take the shot at f16 or f22 to make the most of DoF. Yes you may be into diffraction territory, but being out of focus is far worse.

More advanced techniques like focus stacking; several shots focused in slices through the subject and combined in post processing, is about the only way I think you'll get this ALL in focus.

I'd try the simpler re-shoot first though and get the hang of focusing planes and DoF by experiment - afterall, the film's cheap!

Good exposure on the teapot by the way.

Regards,

Quote:

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Originally Posted by Dave Humphries

Yes, that is actually quite a big subject for this kind of photography.

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Ah - thanks.

Quote:

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Originally Posted by Dave Humphries

Looking at the larger image, we can now see that focus is toward the back of the subject, so most of the DoF is effectively being wasted on thin air behind the subject.

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Yes, so it is. I did another shot (attached) as you suggested this time with the teapot flat on, about 14ins away at f16 and it is in focus I think. Seems that some measurements need to be taken with this sort of photography.

https://www.cambridgeincolour.com/fo...p;d=1239057302

Attachment 521

Quote:

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Originally Posted by Dave Humphries

More advanced techniques like focus stacking; several shots focused in slices through the subject and combined in post processing, is about the only way I think you'll get this ALL in focus.

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I'll have a go at that next!

Thanks again.

-- Peter

Hey Peter,

Looks like you have come a long way overnight! Your second (white) photo has way more dof compared to your first (red) photo. Well done!

What sort of shutter speed and ISO have you used?

Regards,
Graham

Quote:

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Originally Posted by dendrophile

Hey Peter,
Looks like you have come a long way overnight! Your second (white) photo has way more dof compared to your first (red) photo. Well done!

What sort of shutter speed and ISO have you used?

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Thanks - I try and follow suggestions :). It was 1/3 sec at ISO 800. Actually I'd forgotten I had set ISO 800.

-- Peter

Dave Humphries said:

Quote:

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More advanced techniques like focus stacking; several shots focused in slices through the subject and combined in post processing, is about the only way I think you'll get this ALL in focus.

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I got a program (free) called CombineZP
www.hadleyweb.pwp.blueyonder.co.uk/CZP/News.htm which does what I take focus stacking to be. I took 5 pictures of the pencil using a tripod and tungsten lights because I don't have a flash yet focusing on different bits of the pencil each time starting a litte behind the tip of the pencil.

I used f8 with 60mm Can Macro lens which was about 10 inches from the pencil. According to the online calculator at http://www.dofmaster.com/dofjs.html the depth of field is a tad more that 4mm. The final 'stacked' image shows about 2cms of pencil in focus.

However it is not perfect :( because I have not made the slices overlap as carefully as I should. In fact this is diffucult focusing by eye. If I were to do it again I would just advance the focus ring manually by a tiny bit each photo. But its probably more interesting to see the slight blurring where the Combine program has not founbd a sharper bit to use.

The image is below (138K)

http://monicol.co.uk/pictures/smaller_pencil.jpg

Additionally the original combine one is at http://monicol.co.uk/pictures/big_pencil.jpg though at nearly 5Mb for a defective image of a pencil I'm not sure it should attract much interest!

Hi Peter,

Thanks for the link, I'm sure we'll find it useful.

Interesting test shot and as you say, all the better for seeing where the process breaks down if not enough pictures used.

You must be ready to try the teapot again now ;)

Thanks,